It all started with what happened on Monday 15 April 2019, when Notre-Dame Cathedral was on fire.
On the day it reopened, I was impressed how design had been showcased inside. In discovering the various original rooms, the notion of liturgical furniture became apparent to me.
I was intrigued by this unique connection between contemporary creations and tradition, and chose to become interested in contemporary designers. I want to understand how and why they work for the Catholic Church. In order to understand these challenges, I explored the major changes that have occurred in the Church after the Second Vatican Council, as well as the constraints linked to furniture and space.