This text explores the correlation between two worlds: the Being and the Cosmos. The first is seen on a humanscale and the second on a global one. One is a detail, the other a whole. These two notions evoke the dialogue of a volume and a defined space, including the subjects of a world without humans, a human without a world, the real, science, philosophy, art, time, movement, myth and the body. Masterpieces are eternal on the scale of human life, but remain ephemeral on a cosmic scale. From a human perspective to a global vision, these notions help shape a “cosmomorphic” aesthetic.
