Anaïs De Lataillade

graduated with honors
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Spectator in the wings

Why are leisure spaces so attractive? The feeling we have of our perception being shaped is developed by scenographers who design the staging for a theatre play or an exhibition. The spectator does not really have control over their choices anymore, they let themselves go with the flow.
Hospitality also plays on this sensory appeal: the architect often carefully constructs the illusion of being free to walk around the spaces in a hotel, in response to their client's intentions.
This dissertation looks at how the spectator is prepared to receive information or directed towards a space without being fully aware of it, and how the sustainable architecture of a hotel often brings theatrical codes into play.

Teachers

Jean-Pierre Constant

Keywords

Spectateur sans scène explore comment la scénographie façonne la perception du spectateur et comment dans l’hôtellerie l’architecte orchestre les sens du client.

APPIA, Adolphe, scénographie pour un mouvement choral sur gradins modulables, vers 1920‑1925. POLIERI, Jacques, Salle annulaire mobile de Grenoble, 1968. BAYER, Herbert, Diagram of the Extended Field of Vision, 1935, dessin reproduit dans OLGA SHPILKO, « Herbert Bayer : le champ de vision étendu », Red Museum.

Derrière l’illusion de liberté, des codes scéniques guident subtilement l’expérience de l’espace transformant la déambulation en émotion.

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Anaïs De Lataillade

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