{"id":46974,"date":"2025-07-14T22:40:40","date_gmt":"2025-07-14T20:40:40","guid":{"rendered":"https:\/\/diploma.ecolecamondo.fr\/sujet-commun\/anna-scotte\/double-jeu-2\/"},"modified":"2026-02-10T16:03:15","modified_gmt":"2026-02-10T15:03:15","slug":"double-jeu-2","status":"publish","type":"subject-imposed","link":"https:\/\/diploma.ecolecamondo.fr\/en\/sujet-commun\/anna-scotte\/double-jeu-2\/","title":{"rendered":"Double Round"},"content":{"rendered":"\n

Video Games & Music,
La musique dont vous \u00eates le h\u00e9ros.<\/p><\/div><\/div><\/article>\n\n\n

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 \nEspace d\u00e9di\u00e9 au jeu Sonic the Hedgehog<\/em>\u00a0et au compositeur de sa musique Jun Senoue.\n<\/figcaption>\n <\/article>\n\n\n\n

Une exposition en deux parties<\/p><\/div><\/div><\/article>\n\n\n\n

Sur la base de la pr\u00e9sentation de Fanny Rebillard, commissaire de cette exposition, nous avons r\u00e9uni les vingt-quatre \u00eelots principaux en quatorze sections distinctes selon leurs th\u00e9matiques communes. Ces sections sont mises en lien avec un compositeur de l\u2019\u00e9poque ou du jeu expos\u00e9 afin d\u2019insister sur la relation musique \/ jeux vid\u00e9o.<\/p><\/div><\/div><\/article>\n\n\n

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R\u00e9partition des diff\u00e9rents \u00eelots dans l’espace d’exposition.\n<\/figcaption>\n <\/article>\n\n\n
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 \nVisuels de diff\u00e9rents espaces de l’exposition\n<\/figcaption>\n <\/article>\n\n\n
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#1 pi\u00e9tement des cimaises\u00a0 \u00a0 \u00a0 #2 assemblage des fourrures\u00a0 \u00a0 \u00a0 #3 \u00e9clairages suspendus\u00a0 \u00a0 \u00a0 #4 accrochage des\u00a0consoles\u00a0 \u00a0 \u00a0 #5 syst\u00e8me d\u2019accrochage des affiches\u00a0 \u00a0 \u00a0 #6 assemblage contreplaqu\u00e9 \/ vis \/ fourrure\n<\/figcaption>\n <\/article>\n\n\n\n

\u00c0 travers l’exposition, le visiteur s’arr\u00eate, apprend, \u00e9coute et joue.<\/p><\/div><\/div><\/article>\n\n\n

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#1 projection introductive \u00a0 \u00a0 #2 \u00e9coutes localis\u00e9es\u00a0 \u00a0 \u00a0 #3 \u00e9cran panoramique\u00a0 \u00a0 \u00a0 #4 bornes d\u2019arcade \u00a0 \u00a0 \u00a0 #5 gameboy \u00e0 \u00e9chelle humaine\u00a0 \u00a0 \u00a0 #6 cimaise introductive de sections\u00a0 \u00a0 \u00a0 #7 salon d\u2019\u00e9coute\u00a0 \u00a0 \u00a0 #8 projection d\u2019interview\u00a0 \u00a0 \u00a0 #9 cimaises uniques et gabions\u00a0 \u00a0 \u00a0 #10 projection son dolby\u00a0 \u00a0 \u00a0 #11 podiums\u00a0 \u00a0 \u00a0 #12 double cimaise d\u2019exposition \u00a0 \u00a0 \u00a0 #13\u00a0gabions\u00a0 \u00a0 \u00a0 #14 jeux diffus\u00e9s sur consoles\u00a0 \u00a0 \u00a0 #15 affiches\u00a0 \u00a0 \u00a0 #16 socles lumineux\n<\/figcaption>\n <\/article>\n\n\n
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 \nLe salon d’\u00e9coute, dernier espace de l’exposition.\n<\/figcaption>\n <\/article>\n\n\n
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Projet mentionn\u00e9 “Excellent” par le jury.

<\/p><\/div><\/div><\/article>\n\n\n

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\n @ansctte<\/a>\n <\/div>\n<\/article>\n","protected":false},"author":94,"featured_media":46975,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"Music is an essential component of the gaming experience.
Our intention is to immerse audio-visitors in these two worlds by combining the technical dimension of video games with the rhythmic aspects of music.
The first part of the exhibition focuses on the purpose of the game, while remaining connected to the musical world. It offers visitors the opportunity to explore the fundamentals of this world before they experience it in the second part of the exhibition. This section is immersive and invites listeners to experience the music.
Our scenography has been designed to be streamlined.
In immersive monochrome spaces, primary building materials are diverted to become the exhibition media. 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