{"id":46812,"date":"2025-07-13T13:09:11","date_gmt":"2025-07-13T11:09:11","guid":{"rendered":"https:\/\/diploma.ecolecamondo.fr\/sujet-commun\/elodie-jochmans\/video-games-music-2\/"},"modified":"2026-02-09T19:08:14","modified_gmt":"2026-02-09T18:08:14","slug":"video-games-music-2","status":"publish","type":"subject-imposed","link":"https:\/\/diploma.ecolecamondo.fr\/en\/sujet-commun\/elodie-jochmans\/video-games-music-2\/","title":{"rendered":"Video Games Music"},"content":{"rendered":"\n

Les intentions<\/p><\/div><\/div><\/article>\n\n\n

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La r\u00e9partition du commissariat et sa mise en forme<\/p><\/div><\/div><\/article>\n\n\n

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Les espaces avec un son \u00e9lev\u00e9 alterne avec des espaces au son plus bas comme des dispositifs d\u2019\u00e9coute individuelle avec casque.\u00a0L\u2019autre crit\u00e8re important dans la sc\u00e9nographie est la r\u00e9partition des espaces immersifs le long de l\u2019exposition qui sont des lieux d\u2019effervescence, et des espaces plus calmes o\u00f9 le visiteur peut s’asseoir.<\/p><\/div><\/div><\/article>\n\n\n

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\u00e9volution et techniques de cr\u00e9ation<\/p><\/div><\/div><\/article>\n\n\n\n

La premi\u00e8re partie concerne l\u2019\u00e9volution et la cr\u00e9ation de la musique de jeux vid\u00e9o. Celle-ci comprend \u00ab Le game populaire \u00bb qui r\u00e9unit les th\u00e8mes musicaux les plus connus. \u00ab Super Mario \u00bb, montrant l\u2019\u00e9volution du personnage iconique \u00e0 travers le temps.<\/p><\/div><\/div><\/article>\n\n\n\n

\u00ab La musique dans la poche \u00bb, \u00ab Live et concerts \u00bb permettant d\u2019exp\u00e9rimenter cette musique de la plus petite \u00e0 la plus grande \u00e9chelle. Enfin, \u00ab Du tracker au synth\u00e9tiseur \u00bb expliquant les techniques de cr\u00e9ation et de production de la musique de jeu vid\u00e9o.<\/p><\/div><\/div><\/article>\n\n\n

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La place du game\n<\/figcaption>\n <\/article>\n\n\n
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Musique dans la poche\n<\/figcaption>\n <\/article>\n\n\n\n

Let’s Play<\/p><\/div><\/div><\/article>\n\n\n\n

La deuxi\u00e8me partie partie se nomme \u00ab Let\u2019s Play \u00bb. Celle ci est consacr\u00e9e au rapport du corps, du geste au jeu vid\u00e9o et sa musique. Tout d\u2019abord la musique g\u00e9n\u00e9rative avec comme exemple \u00ab Otocky \u00bb, puis la salle de danse avec le jeu iconique \u00ab Just Dance \u00bb et enfin \u00ab M\u00e9lodies en sous-sol \u00bb une immersion dans la salle d\u2019arcade.<\/p><\/div><\/div><\/article>\n\n\n

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Otocky\n<\/figcaption>\n <\/article>\n\n\n
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Pop culture\n<\/figcaption>\n <\/article>\n\n\n\n

Un autre regard<\/p><\/div><\/div><\/article>\n\n\n\n

La troisi\u00e8me partie concerne \u00ab Un autre regard \u00bb sur la musique de jeu vid\u00e9o. Dans un premier temps, \u00ab Les d\u00e9tournements \u00bb s\u2019int\u00e9resse aux clips dont la musique est inspir\u00e9e de jeux vid\u00e9o.<\/p><\/div><\/div><\/article>\n\n\n\n

Au centre de l\u2019espace \u00ab La guerre des consoles \u00bb aborde une perspective plus commerciale. \u00ab Imuse \u00bb permet de comprendre le syst\u00e8me de hooks. Enfin, \u00ab Cin\u00e9ma, Dolby \u00bb montre le rapport avec le cin\u00e9ma.<\/p><\/div><\/div><\/article>\n\n\n

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\n \n \"\"\n <\/a>\n <\/div>\n
La guerre des consoles\n<\/figcaption>\n <\/article>\n\n\n
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\n \n \"\"\n <\/a>\n <\/div>\n
Le pont des artistes\n<\/figcaption>\n <\/article>\n\n\n
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Cin\u00e9ma, Dolby\n<\/figcaption>\n <\/article>\n\n\n
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\n @elodiejochmans<\/a>\n <\/div>\n<\/article>\n","protected":false},"author":54,"featured_media":46813,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"Before achieving the graphical and musical complexity we know today, early video games had highly minimalist aesthetics. Each game was became a visual universe that gradually expanded with music.

Rhythm, movement and evolution are at the heart of this exhibition. Our exhibition design and graphic proposal is therefore built around 3 axes: a dynamic pattern, a colourful atmosphere and enveloping shapes. To prioritise music over video game visuals, we have sought methods to illustrate it through sound experiences and installations, offering a homogeneous universe that breaks free from the visual codes of each game.","_metafield_image_toggle":false,"_metafield_image_legend":"","_metafield_gallery":"[{\"id\":46813,\"title\":\"affiche\",\"url\":\"https:\/\/diploma.ecolecamondo.fr\/content\/uploads\/2025\/07\/affiche.webp\",\"thumbnail\":\"https:\/\/diploma.ecolecamondo.fr\/content\/uploads\/2025\/07\/affiche-150x150.webp\"}]","_metafield_students":[47]},"teachers_list_2":[39],"class_list":["post-46812","subject-imposed","type-subject-imposed","status-publish","has-post-thumbnail","hentry","teachers_list_2-emmanuel-benet"],"acf":[],"yoast_head":"\nVideo Games Music - Diploma Camondo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/diploma.ecolecamondo.fr\/en\/sujet-commun\/elodie-jochmans\/video-games-music-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Video Games Music - 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