{"id":46381,"date":"2025-07-08T16:58:31","date_gmt":"2025-07-08T14:58:31","guid":{"rendered":"https:\/\/diploma.ecolecamondo.fr\/sujet-commun\/elisa-mathis\/seul-ou-a-plusieurs\/"},"modified":"2026-02-09T14:09:16","modified_gmt":"2026-02-09T13:09:16","slug":"seul-ou-a-plusieurs","status":"publish","type":"subject-imposed","link":"https:\/\/diploma.ecolecamondo.fr\/en\/sujet-commun\/elisa-mathis\/seul-ou-a-plusieurs\/","title":{"rendered":"Solo or multiplayer"},"content":{"rendered":"
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Sch\u00e9ma conceptuel fermeture-ouverture\n<\/figcaption>\n <\/article>\n\n\n
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Un syst\u00e8me d’\u00e9coute qui valorise l’intimit\u00e9 et le partage<\/p><\/div><\/div><\/article>\n\n\n

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Plan g\u00e9n\u00e9ral de la salle d’exposition\n<\/figcaption>\n <\/article>\n\n\n\n

Les zones d’\u00e9coute individuelle se font au casque tandis que les zones d’\u00e9coute collective se font gr\u00e2ce \u00e0 des colonnes d’enceintes qui d\u00e9limitent clairement les espaces communs. Chaque jeu a \u00e9t\u00e9 \u00e9tudi\u00e9 et \u00e9cout\u00e9 pour que les visiteurs b\u00e9n\u00e9ficient d’une \u00e9coute optimale, qu’elle soit intime ou partag\u00e9e, pour plonger dans l’univers du jeu.<\/p><\/div><\/div><\/article>\n\n\n

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Des points de ruptures nets<\/p><\/div><\/div><\/article>\n\n\n\n

Syst\u00e8mes sonores (casque\/colonne d’enceintes) – \u00e9clairages (cibl\u00e9 \/ diffus) – mat\u00e9rialit\u00e9s – hauteurs – couleurs (neutre\/color\u00e9)- textures (rugueux\/lisse)<\/p><\/div><\/div><\/article>\n\n\n

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Coupes longitudinales AA’ et BB’ – changements de hauteurs\n<\/figcaption>\n <\/article>\n\n\n
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Chaque visiteur peut se rep\u00e9rer dans l’exposition et passer dans chaque univers gr\u00e2ce \u00e0 un plan guid\u00e9 qui indique les \u00eelots individuels par des num\u00e9ros suspendus et par des couleurs pour les \u00eelots collectifs.<\/p><\/div><\/div><\/article>\n\n\n

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P\u00c9N\u00c9TRER DANS L’UNIVERS DE LA MUSIQUE DE JEUX VID\u00c9OS<\/p><\/div><\/div><\/article>\n\n\n

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Dispositif collectif Pong\n<\/figcaption>\n <\/article>\n\n\n
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Dispositif individuel Otocky\n<\/figcaption>\n <\/article>\n\n\n
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Dispositif collectif Cin\u00e9ma Cin\u00e9ma\n<\/figcaption>\n <\/article>\n\n\n
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Dispositif individuel Super Mario Int\u00e9ractif\n<\/figcaption>\n <\/article>\n\n\n
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\u00c9QUILIBRER LES ESPACES DE ZONES D’\u00c9COUTES INDIVIDUELLES ET COLLECTIVES<\/p><\/div><\/div><\/article>\n\n\n

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Maquette au 1:50 de la sc\u00e9nographie d’exposition – int\u00e9rieur\/ext\u00e9rieur\n<\/figcaption>\n <\/article>\n\n\n
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Parcours sonore d’un visiteur \u00e0 travers les diff\u00e9rents dispositifs au sein de l’exposition<\/figcaption>\n <\/article>\n\n\n
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\n Lien vers le compte Instagram professionnel de Elisa Mathis<\/a>\n <\/div>\n<\/article>\n","protected":false},"author":43,"featured_media":46350,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"\"Video Games & Music\" is an exhibition dedicated to discovering the world of video game music through a large open world map. Video game sound is presented through individual or collective listening in private or shared playback zones. Visitors become the playing character and forge their own path by walking between the individual islands. They pass by and through the sound devices that form the space (the opening and closing games). The sound system becomes the architecture, it clearly defines the spaces. 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