{"id":48765,"date":"2025-07-14T22:50:38","date_gmt":"2025-07-14T20:50:38","guid":{"rendered":"https:\/\/diploma.ecolecamondo.fr\/sujet-libre\/anna-scotte\/le-lit-theatre-de-la-vie-conjugale\/"},"modified":"2026-02-11T19:12:06","modified_gmt":"2026-02-11T18:12:06","slug":"le-lit-theatre-de-la-vie-conjugale","status":"publish","type":"subject-free","link":"https:\/\/diploma.ecolecamondo.fr\/en\/sujet-libre\/anna-scotte\/le-lit-theatre-de-la-vie-conjugale\/","title":{"rendered":"The bed, theatre of marital life"},"content":{"rendered":"\n

Comment faire du lit un objet manifeste, un lieu \u00e0 soi, d\u2019introspection et de retraite, ou \u00e0 deux, de r\u00e9union, qui questionne la mani\u00e8re dont le couple l\u2019habite et qui replace l\u2019individu et ses d\u00e9sirs au centre de l\u2019espace conjugal en lui permettant de moduler sa pr\u00e9sence et son absence.<\/p><\/div><\/div><\/article>\n\n\n

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“Madame conserve le pouvoir de fermer sa porte, ce qui n’est plus le cas dans l’appartement bourgeois r\u00e9tr\u00e9ci o\u00f9 la chambre devient unique. L’\u00e9pouse y perd en espace et en libert\u00e9. (…) Elle n’a plus de lieu \u00e0 elle.”<\/em><\/p>

Michelle Perrot <\/span> – <\/span>Histoire de chambres<\/span><\/p><\/div><\/div><\/div><\/article>\n\n\n

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“Pour beaucoup, se coucher s\u00e9par\u00e9s ne signifie pas la mort du couple. Mais le tabou est si puissant que les femmes se sentent oblig\u00e9es de se taire ou de se justifier face \u00e0 cette situation.”<\/em><\/p>

Jean-Claude Kaufmann<\/span> – <\/span>Un lit pour deux<\/span><\/p><\/div><\/div><\/div><\/article>\n\n\n

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Sc\u00e9nographie d’exposition du projet de dipl\u00f4me\n<\/figcaption>\n <\/article>\n\n\n
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Projet mentionn\u00e9 pour “la qualit\u00e9 du discours et des enjeux contemporains”
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\n @ansctte<\/a>\n <\/div>\n<\/article>\n","protected":false},"author":94,"featured_media":48766,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"A universal symbol of couples and a legacy of social conventions, the marital bed embodies both union and constraint, revealing an often unspoken desire for a separate room.

This project proposes a different approach, like a theatrical stage: a place where you play, retreat and reveal yourself. With its simple structure and hanging curtains, it can be transformed into a space for contemplation, where desire and consent are revealed, and at other times serve as a retreat for rest and introspection.

This bed challenges the conventions of expressing intimacy and offers new narratives about couples. 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