{"id":47487,"date":"2025-07-15T01:40:11","date_gmt":"2025-07-14T23:40:11","guid":{"rendered":"https:\/\/diploma.ecolecamondo.fr\/sujet-libre\/ninon-astoux\/la-maison-binotto\/"},"modified":"2026-02-11T11:53:46","modified_gmt":"2026-02-11T10:53:46","slug":"la-maison-binotto","status":"publish","type":"subject-free","link":"https:\/\/diploma.ecolecamondo.fr\/en\/sujet-libre\/ninon-astoux\/la-maison-binotto\/","title":{"rendered":"Maison Binotto"},"content":{"rendered":"\n

Et si le futur de l\u2019architecture r\u00e9sidait dans l\u2019existant ? En r\u00e9utilisant des mat\u00e9riaux, Serge Binotto b\u00e2tit un manifeste \u00e9cologique et po\u00e9tique. Sa maison auto-construite devient un lieu vivant, porteur de r\u00e9cits et d\u2019engagements durables.<\/p><\/div><\/div><\/article>\n\n\n

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\u00ab Il y a une colline, sur laquelle il y a une minuscule ruine. Et Serge dit : \u201cC\u2019est l\u00e0 qu\u2019on mettra la maison.\u201d \u00bb<\/p>

Elisabeth de Corbigny<\/span> – <\/span>Entretien personnel avec Elisabeth de Corbigny, sp\u00e9cialiste en \u00e9quitation \u00e9thologique et compagne de Serge Binotto, le 21 mars 2025.<\/span><\/p><\/div><\/div><\/div><\/article>\n\n\n\n

L’exposition cherche \u00e0 transmettre le processus de cr\u00e9ation de Serge Binotto en montrant qu’une auto-construction peut \u00eatre fiable, po\u00e9tique et durable, en mettant en valeur le potentiel de la r\u00e9cup\u00e9ration comme alternative constructive et en r\u00e9v\u00e9lant la beaut\u00e9 des objets recycl\u00e9s, charg\u00e9s d’une vie ant\u00e9rieure.<\/p><\/div><\/div><\/article>\n\n\n

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\u00c9l\u00e9vation de la maison\n<\/figcaption>\n <\/article>\n\n\n
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Plan de la maison\n<\/figcaption>\n <\/article>\n\n\n
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Plan du projet.\n<\/figcaption>\n <\/article>\n\n\n\n

La sc\u00e9nographie est con\u00e7ue de fa\u00e7on l\u00e9g\u00e8re, \u00e9vapor\u00e9e, presque fantomatique. Elle s’appuie sur une trame carr\u00e9e, r\u00e9miniscence de la structure de la maison. <\/p><\/div><\/div><\/article>\n\n\n

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\u00ab C’est le mat\u00e9riau qui guide l’artiste, on va dire (\u2026) et non pas une id\u00e9e th\u00e9orique qu\u2019on va construire ensuite. \u00bb<\/p>

Elisabeth de Corbigny<\/span> – <\/span>Entretien personnel avec Elisabeth de Corbigny, sp\u00e9cialiste en \u00e9quitation \u00e9thologique et compagne de Serge Binotto, le 21 mars 2025.<\/span><\/p><\/div><\/div><\/div><\/article>\n\n\n

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\n \n \"\"\n <\/a>\n <\/div>\n <\/article>\n","protected":false},"author":112,"featured_media":47488,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"The recovery of materials is inherent in the architecture. It responds to a world suffering from resource depletion and thereby reveals the poetic power that these objects can bring to a space by breaking away from modern thought. With this in mind, I would like to highlight the work of Serge Binotto. A former employee of Jean Prouv\u00e9, he abandoned the industrial model by building his own house. Over thirty years later, it embodies the values of a modern approach. 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