{"id":58524,"date":"2026-07-15T23:28:35","date_gmt":"2026-07-15T21:28:35","guid":{"rendered":"https:\/\/diploma.ecolecamondo.fr\/memoire\/ilann-picard\/orner-cest-resister\/"},"modified":"2026-07-15T23:28:35","modified_gmt":"2026-07-15T21:28:35","slug":"decorating-means-resisting","status":"publish","type":"project_type_3","link":"https:\/\/diploma.ecolecamondo.fr\/en\/memoire\/ilann-picard\/decorating-means-resisting\/","title":{"rendered":"Decorating means resisting"},"content":{"rendered":"\n<article class=\"wp-block-diploma-text-presentation presentation bloc\"><div class=\"presentation__content type-text\"><div class=\"presentation__wrapper wrapper typo-scope\"><p class=\"presentation__text p-paragraph style-center gut-hook-text\">This dissertation looks at the Art Nouveau movement using the example of the city of Nancy, seeking to understand the place and role of ornamentation in this city&#8217;s architecture. Based on the study of the \u00c9cole de Nancy and major figures of the movement, it analyses ornamentation, not only as a decorative element, but as a means of expressing a relationship with living things and the society of its time. By comparing the ideas of Art Nouveau with critiques like those made by Adolf Loos, this work questions how the decoration was perceived, rejected or transformed. My dissertation thus explores how these principles can still fuel current reflection on space, use and the perceptible relationship to architecture.<\/p><\/div><\/div><\/article>\n\n<div class=\"wp-block-diploma-content-root diploma-editor-content-root\"><article class=\"media-pdf bloc\">\n    <div class=\"media-pdf__content type-pdf\">\n        <div class=\"media-pdf__container\">\n            <div\n                id=\"pdf-viewer-block-2a4a96d40774093703d9c3c3d4869ed6\"\n                class=\"js-pdf-viewer\"\n                data-pdf-source=\"https:\/\/diploma.ecolecamondo.fr\/app\/uploads\/2026\/07\/picard-ilann-aid-5-memoire-1.pdf\"\n                data-pdf-height=\"500\"\n                aria-busy=\"false\"\n            ><\/div>\n        <\/div>\n        <p class=\"media-pdf__fallback js-pdf-fallback\" aria-live=\"polite\" hidden>\n            The PDF is taking longer than expected to load.\n            <a href=\"https:\/\/diploma.ecolecamondo.fr\/app\/uploads\/2026\/07\/picard-ilann-aid-5-memoire-1.pdf\" target=\"_blank\" rel=\"noopener\">\n                Open the PDF\n            <\/a>\n        <\/p>\n        <noscript>\n            <p class=\"media-pdf__fallback\">\n                <a href=\"https:\/\/diploma.ecolecamondo.fr\/app\/uploads\/2026\/07\/picard-ilann-aid-5-memoire-1.pdf\" target=\"_blank\" rel=\"noopener\">\n                    Open the PDF\n                <\/a>\n            <\/p>\n        <\/noscript>\n    <\/div>\n<\/article>\n\n\n\n<article class=\"wp-block-diploma-text-paragraph text-paragraph bloc\"><div class=\"text-paragraph__content type-text\"><div class=\"text-paragraph__wrapper wrapper typo-scope\"><p class=\"text-paragraph__text p-paragraph style-center gut-hook-text\">CONTACT : <br><br>Mail : ilann.pcrd@yahoo.com<br>Portfolio : ilannpicard-projects.com<br>Linkedin : linkedin.com\/in\/ilann-picard\/<br>Instagram : instagram.com\/ilann_projects\/<\/p><\/div><\/div><\/article>\n<\/div>\n","protected":false},"author":89,"featured_media":58541,"template":"","meta":{"_acf_changed":false,"footnotes":"","_metafield_presentation":"This dissertation looks at the Art Nouveau movement using the example of the city of Nancy, seeking to understand the place and role of ornamentation in this city's architecture. Based on the study of the \u00c9cole de Nancy and major figures of the movement, it analyses ornamentation, not only as a decorative element, but as a means of expressing a relationship with living things and the society of its time. By comparing the ideas of Art Nouveau with critiques like those made by Adolf Loos, this work questions how the decoration was perceived, rejected or transformed. My dissertation thus explores how these principles can still fuel current reflection on space, use and the perceptible relationship to architecture.","_metafield_image_toggle":false,"_metafield_image_legend":"","_metafield_gallery":[49783,49787,49790,49793,49795,49796,49797,49798,49799]},"keywords":[94,108,110],"teachers_list_1":[64],"class_list":["post-58524","project_type_3","type-project_type_3","status-publish","has-post-thumbnail","hentry","keywords-arts-and-crafts","keywords-heritage","keywords-societal-field","teachers_list_1-manolita-freret-filippi"],"acf":[],"_links":{"self":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_3\/58524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_3"}],"about":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/types\/project_type_3"}],"author":[{"embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/users\/89"}],"version-history":[{"count":0,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_3\/58524\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/media\/58541"}],"wp:attachment":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/media?parent=58524"}],"wp:term":[{"taxonomy":"keywords","embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/keywords?post=58524"},{"taxonomy":"teachers_list_1","embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/teachers_list_1?post=58524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}