{"id":58453,"date":"2026-07-28T12:20:47","date_gmt":"2026-07-28T10:20:47","guid":{"rendered":"https:\/\/diploma.ecolecamondo.fr\/memoire\/eugenie-pivert\/traces-dargent-bruits-dabsence-lecho-social-des-objets-de-famille-oublies\/"},"modified":"2026-07-28T12:20:47","modified_gmt":"2026-07-28T10:20:47","slug":"traces-of-silver-noises-of-absence","status":"publish","type":"project_type_3","link":"https:\/\/diploma.ecolecamondo.fr\/en\/memoire\/eugenie-pivert\/traces-of-silver-noises-of-absence\/","title":{"rendered":"Traces of silver, noises of absence"},"content":{"rendered":"\n

The culture of treasure has always emerged in every experience I have had. I like to explore antique markets, flea markets and other markets. My curiosity wandered up and down these places full of stories to tell, whether outside, indoors, in known or unknown spaces.

The mosser, a champagne whisk associated with the old habits of a particular social category, appears as the starting point.
Old bourgeois household objects and their past practices are at the heart of this investigation, as witnesses to a material culture.
This study combines observations, personal narratives and theoretical analyses, in an attempt to understand the obsolescence these objects face.

As punctuation, poems try to replay the proven attachment to the objects discovered.<\/p><\/div><\/div><\/article>\n\n

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