{"id":58150,"date":"2026-07-13T15:12:42","date_gmt":"2026-07-13T13:12:42","guid":{"rendered":"https:\/\/diploma.ecolecamondo.fr\/memoire\/anastasiia-gulai\/lheritage-empoisonne\/"},"modified":"2026-07-13T15:12:42","modified_gmt":"2026-07-13T13:12:42","slug":"poisoned-heritage","status":"publish","type":"project_type_3","link":"https:\/\/diploma.ecolecamondo.fr\/en\/memoire\/anastasiia-gulai\/poisoned-heritage\/","title":{"rendered":"Poisoned heritage"},"content":{"rendered":"\n<article class=\"wp-block-diploma-text-presentation presentation bloc\"><div class=\"presentation__content type-text\"><div class=\"presentation__wrapper wrapper typo-scope\"><p class=\"presentation__text p-paragraph style-center gut-hook-text\">This research examines the contemporary dilemma of Ukraine before its Soviet architectural heritage. Between 1920 and 1990, architecture in Ukraine \u2013 from constructivism to late modernism \u2013 served as an ideological instrument while bearing the traces of national cultural resistance. Today, in the context of the war of scale and decommunisation, Ukrainian society is facing a crucial question: should this heritage be preserved or destroyed?<br>The comparative analysis with Polish, Czech and Estonian experiences shows that eliminating totalitarian symbols, although necessary, is not sufficient. The real challenge lies in the lack of a coherent strategy to assign these buildings new democratic functions.<\/p><\/div><\/div><\/article>\n\n<div class=\"wp-block-diploma-content-root diploma-editor-content-root\">\n<article class=\"wp-block-diploma-text-highlighted text-highlighted bloc\"><div class=\"text-highlighted__content type-text style-border-top-bottom\"><div class=\"text-highlighted__wrapper wrapper typo-scope\"><p class=\"text-highlighted__text p-highlighted style-center gut-hook-text\">Chaque monument est un cas unique et doit \u00eatre trait\u00e9 comme tel. Effacer les traces du temps, c&#8217;est effacer la m\u00e9moire d&#8217;un lieu.<\/p><div class=\"text-highlighted__infos\"><p class=\"text-highlighted__author p-author style-center\"><span class=\"gut-hook-author\">Roberto Pane<\/span><span class=\"gut-hook-separator\">  &#8211; <\/span><span class=\"gut-hook-work\">Il restauro dei monumenti, 1944, p. 68-72<\/span><\/p><\/div><\/div><\/div><\/article>\n<article class=\"img-fullscreen bloc\">\n    <div class=\"img-fullscreen__content type-image\">\n        <a href=\"https:\/\/diploma.ecolecamondo.fr\/app\/smush-webp\/2026\/07\/free_book_mockup_8.png.webp\" class=\"img-fullscreen__wrapper type-block cursor-more no-cursor-simple function-lightbox js-cursor-state\" data-cursor=\"zoom\">\n            <img src=\"https:\/\/diploma.ecolecamondo.fr\/app\/smush-webp\/2026\/07\/free_book_mockup_8-1440x1080.png.webp\" class=\"img-fullscreen__img img-responsive\" width=\"3000\" height=\"2250\" loading=\"lazy\" decoding=\"async\" alt=\"\">\n        <\/a>\n    <\/div>\n    <\/article>\n\n\n<article class=\"misc-separator bloc\">\n    <hr class=\"misc-separator__hr\">\n<\/article>\n<\/div>\n","protected":false},"author":84,"featured_media":58151,"template":"","meta":{"_acf_changed":false,"footnotes":"","_metafield_presentation":"This research examines the contemporary dilemma of Ukraine before its Soviet architectural heritage. Between 1920 and 1990, architecture in Ukraine \u2013 from constructivism to late modernism \u2013 served as an ideological instrument while bearing the traces of national cultural resistance. Today, in the context of the war of scale and decommunisation, Ukrainian society is facing a crucial question: should this heritage be preserved or destroyed?<br>The comparative analysis with Polish, Czech and Estonian experiences shows that eliminating totalitarian symbols, although necessary, is not sufficient. The real challenge lies in the lack of a coherent strategy to assign these buildings new democratic functions.","_metafield_image_toggle":false,"_metafield_image_legend":"","_metafield_gallery":[48279]},"keywords":[108,111,110],"teachers_list_1":[82],"class_list":["post-58150","project_type_3","type-project_type_3","status-publish","has-post-thumbnail","hentry","keywords-heritage","keywords-restoration","keywords-societal-field","teachers_list_1-augusto-antonio-viola"],"acf":[],"_links":{"self":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_3\/58150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_3"}],"about":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/types\/project_type_3"}],"author":[{"embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/users\/84"}],"version-history":[{"count":0,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_3\/58150\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/media\/58151"}],"wp:attachment":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/media?parent=58150"}],"wp:term":[{"taxonomy":"keywords","embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/keywords?post=58150"},{"taxonomy":"teachers_list_1","embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/teachers_list_1?post=58150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}