{"id":59574,"date":"2026-07-22T15:29:15","date_gmt":"2026-07-22T13:29:15","guid":{"rendered":"https:\/\/diploma.ecolecamondo.fr\/sujet-libre\/antoine-foucault-de-mauregard\/le-musee-satellite-mad-toulouse\/"},"modified":"2026-07-22T15:29:15","modified_gmt":"2026-07-22T13:29:15","slug":"the-satellite-museum-mad-toulouse","status":"publish","type":"project_type_2","link":"https:\/\/diploma.ecolecamondo.fr\/en\/sujet-libre\/antoine-foucault-de-mauregard\/the-satellite-museum-mad-toulouse\/","title":{"rendered":"The Satellite Museum \u2014 MAD Toulouse"},"content":{"rendered":"\n

In response to the saturation of Parisian museum storage facilities and the hyper-centralisation of culture, this project reimagines the Mus\u00e9e des Arts D\u00e9coratifs as a decentralised national network. It proposes a series of satellite museums across France, with Toulouse serving as the prototype. At the heart of the project, museum storage becomes accessible to visitors, transforming into the central space of the institution and the starting point of the visitor journey. Collections move between storage areas, conservation workshops, and exhibition spaces, revealing the entire life cycle of an artwork, a process usually hidden from public view.<\/p><\/div><\/div><\/article>\n\n

\n

Sur 1 500 000 \u0153uvres que compte le MAD, seules 6 000 sont expos\u00e9es. Les autres dorment en r\u00e9serve, invisibles du public. Une r\u00e9alit\u00e9 d’autant plus frappante que l’offre mus\u00e9ale fran\u00e7aise reste largement concentr\u00e9e \u00e0 Paris, o\u00f9 68% des Fran\u00e7ais hors de la capitale d\u00e9clarent manquer d’acc\u00e8s \u00e0 la culture.<\/p><\/div><\/div><\/article>\n

\n
\n<\/article>\n\n\n\n

Comment transformer le Mus\u00e9e des Arts D\u00e9coratifs, sur le mod\u00e8le du Louvre ou du Centre Pompidou, en un syst\u00e8me national d\u00e9centralis\u00e9 o\u00f9 les r\u00e9serves deviennent le point de d\u00e9part d’un r\u00e9seau de mus\u00e9es satellites territoriaux, permettant la circulation des \u0153uvres et la redynamisation culturelle des territoires ?<\/p><\/div><\/div><\/article>\n

\n
\n<\/article>\n\n\n
\n
\n \n \"\"\n <\/a>\n <\/div>\n <\/article>\n\n\n\n

Trois cartographies sont le point de d\u00e9part d’une r\u00e9flexion \u00e0 l’\u00e9chelle nationale : la premi\u00e8re r\u00e9v\u00e8le la concentration des mus\u00e9es fran\u00e7ais sur le territoire, la deuxi\u00e8me identifie les manufactures, ateliers et acteurs des savoir-faire locaux qui en sont absents, et leur mise en regard ouvre la voie \u00e0 l’implantation des huit satellites.<\/p><\/div><\/div><\/article>\n

\n
\n<\/article>\n\n\n\n

Les cales de radoub – Toulouse<\/p><\/div><\/div><\/article>\n

\n
\n
\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/article>\n\n\n
\n
\n<\/article>\n\n\n\n

Ancien site de r\u00e9paration et d’entretien des bateaux du Canal du Midi, les Cales de Radoub constituent un lieu o\u00f9 la circulation et le mouvement sont inscrits dans l’histoire m\u00eame du site. Une logique de flux que le projet prolonge en faisant du canal la voie d’acheminement principale des \u0153uvres directement au c\u0153ur du mus\u00e9e.<\/p><\/div><\/div><\/article>\n

\n
\n<\/article>\n\n\n
\n
\n
\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/article>\n\n\n
\n
\n
\n <\/div>\n <\/div>\n

\n \n Open the PDF\n <\/a>\n <\/p>\n <\/noscript>\n <\/div>\n<\/article>\n\n\n

\n
\n<\/article>\n\n\n\n

Le projet<\/p><\/div><\/div><\/article>\n

\n
\n<\/article>\n\n\n
\n
\n \n \"\"\n <\/a>\n <\/div>\n
Axonom\u00e9trie g\u00e9n\u00e9rale projet\n<\/figcaption>\n <\/article>\n\n\n
\n
\n \n \"\"\n <\/a>\n <\/div>\n
Plan g\u00e9n\u00e9ral projet\n<\/figcaption>\n <\/article>\n\n\n
\n
\n \n \"\"\n <\/a>\n <\/div>\n
Fa\u00e7ades g\u00e9n\u00e9rales projet\n<\/figcaption>\n <\/article>\n\n\n
\n
\n<\/article>\n\n\n\n

L’entr\u00e9e <\/p><\/div><\/div><\/article>\n

\n
\n<\/article>\n\n\n\n

Pens\u00e9 comme un pavillon sur l’eau, le lobby d’entr\u00e9e s’inscrit dans l’axe de la perc\u00e9e visuelle sur le canal depuis la rue. Billetterie, vestiaires, contr\u00f4le de s\u00e9curit\u00e9 et audioguides, c’est le point de d\u00e9part d’une visite qui suit, pas \u00e0 pas, le cycle de vie d’une \u0153uvre.<\/p><\/div><\/div><\/article>\n

\n
\n
\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/article>\n\n\n
\n
\n<\/article>\n\n\n\n

Le caf\u00e9 – librairie<\/p><\/div><\/div><\/article>\n

\n
\n<\/article>\n\n\n\n

Le pavillon caf\u00e9-librairie s’impose comme le point de rencontre naturel entre les deux parcours de visite, une pause au c\u0153ur du site dont la terrasse s’ouvre d’un c\u00f4t\u00e9 sur le parc arbor\u00e9 et de l’autre sur la cale couverte, b\u00e2timent embl\u00e9matique du site.<\/p><\/div><\/div><\/article>\n

\n
\n
\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/article>\n\n\n
\n
\n<\/article>\n\n\n\n

Les galeries<\/p><\/div><\/div><\/article>\n

\n
\n<\/article>\n\n\n\n

Les galeries couvertes constituent le geste architectural central du projet. Fix\u00e9es en fa\u00e7ade des b\u00e2timents existants pour cr\u00e9er une double peau superpos\u00e9e, ou d\u00e9ploy\u00e9es de mani\u00e8re ind\u00e9pendante \u00e0 travers le site, elles relient les trois b\u00e2timents existants aux deux nouveaux pavillons pour offrir au visiteur une d\u00e9ambulation continue.<\/p><\/div><\/div><\/article>\n

\n
\n
\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/article>\n\n\n
\n
\n<\/article>\n\n\n\n

La r\u00e9serve visitable <\/p><\/div><\/div><\/article>\n

\n
\n<\/article>\n\n\n\n

La r\u00e9serve visitable constitue le c\u0153ur de ce nouveau mod\u00e8le mus\u00e9al : en transformant cet espace habituellement invisible en point de d\u00e9part de la visite, elle r\u00e9v\u00e8le au public ce que le mus\u00e9e cache habituellement et invite le visiteur \u00e0 d\u00e9couvrir les \u0153uvres dans leur \u00e9tat le plus brut, avant toute restauration ou exposition.<\/p><\/div><\/div><\/article>\n

\n
\n
\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/article>\n\n\n
\n
\n<\/article>\n\n\n\n

Les ateliers de restauration<\/p><\/div><\/div><\/article>\n

\n
\n<\/article>\n\n\n\n

Les ateliers de restauration, rendus visibles depuis les galeries couvertes \u00e0 travers la double peau vitr\u00e9e, sortent de l’invisibilit\u00e9 le travail des restaurateurs et font de la conservation une exp\u00e9rience mus\u00e9ale \u00e0 part enti\u00e8re, r\u00e9v\u00e9lant au visiteur le cycle de vie d’une \u0153uvre dans toute sa complexit\u00e9.<\/p><\/div><\/div><\/article>\n

\n
\n
\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/article>\n\n\n
\n
\n<\/article>\n\n\n\n

Les expositions temporaires<\/p><\/div><\/div><\/article>\n

\n
\n<\/article>\n\n\n\n

Les expositions temporaires du MAD, dont la cr\u00e9ation mobilise des moyens consid\u00e9rables, ne s’arr\u00eatent plus \u00e0 Paris. Pens\u00e9es d\u00e8s leur conception comme itin\u00e9rantes, elles voyagent ensuite de satellite en satellite pour rendre accessibles \u00e0 l’ensemble du territoire des productions culturelles d’envergure nationale.<\/p><\/div><\/div><\/article>\n

\n
\n
\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/article>\n\n\n
\n
\n<\/article>\n\n\n\n

L’exposition territoire<\/p><\/div><\/div><\/article>\n

\n
\n<\/article>\n\n\n\n

L’exposition territoire offre \u00e0 chaque satellite la libert\u00e9 de commissarier ses propres expositions, ancr\u00e9es dans les dynamiques culturelles et patrimoniales de son territoire, garantissant que chaque antenne ne soit pas une r\u00e9plique du mus\u00e9e parisien, mais un lieu singulier et vivant.<\/p><\/div><\/div><\/article>\n

\n
\n
\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n
\n \n \n \"\"\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/article>\n\n\n
\n
\n<\/article>\n\n\n
\n
\n \n \"\"\n <\/a>\n <\/div>\n <\/article>\n\n\n
\n
\n \n \"\"\n <\/a>\n <\/div>\n
Maquette \u00e9chelle 1\/200\n<\/figcaption>\n <\/article>\n\n\n
\n
\n<\/article>\n\n\n\n

\u00c0 l’issue de ce projet, cette charte, document fondateur et protocole de r\u00e9f\u00e9rence, d\u00e9finit les conditions d’ouverture de chaque satellite du r\u00e9seau MAD, pour permettre \u00e0 ce syst\u00e8me de se d\u00e9ployer sur l’ensemble du territoire et d’atteindre le plus grand rayonnement possible.<\/p><\/div><\/div><\/article>\n

\n
\n
\n <\/div>\n <\/div>\n

\n \n Open the PDF\n <\/a>\n <\/p>\n <\/noscript>\n <\/div>\n<\/article>\n\n\n

\n
\n<\/article>\n\n\n\n

Annexes graphiques<\/p><\/div><\/div><\/article>\n

\n
\n<\/article>\n\n\n
\n
\n
\n <\/div>\n <\/div>\n

\n \n Open the PDF\n <\/a>\n <\/p>\n <\/noscript>\n <\/div>\n<\/article>\n\n\n

\n
\n
\n <\/div>\n <\/div>\n

\n \n Open the PDF\n <\/a>\n <\/p>\n <\/noscript>\n <\/div>\n<\/article>\n\n\n

\n
\n<\/article>\n<\/div>\n","protected":false},"author":114,"featured_media":59575,"template":"","meta":{"_acf_changed":false,"footnotes":"","_metafield_presentation":"In response to the saturation of Parisian museum storage facilities and the hyper-centralisation of culture, this project reimagines the Mus\u00e9e des Arts D\u00e9coratifs as a decentralised national network. It proposes a series of satellite museums across France, with Toulouse serving as the prototype. At the heart of the project, museum storage becomes accessible to visitors, transforming into the central space of the institution and the starting point of the visitor journey. Collections move between storage areas, conservation workshops, and exhibition spaces, revealing the entire life cycle of an artwork, a process usually hidden from public view.","_metafield_image_toggle":false,"_metafield_image_legend":"","_metafield_gallery":[55527,55536,55553,55567,55576,55579,55593,55642,55602,55619]},"keywords":[108,106,111],"teachers_list_2":[83],"class_list":["post-59574","project_type_2","type-project_type_2","status-publish","has-post-thumbnail","hentry","keywords-heritage","keywords-museum-design","keywords-restoration","teachers_list_2-bernard-moise"],"acf":[],"_links":{"self":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_2\/59574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_2"}],"about":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/types\/project_type_2"}],"author":[{"embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/users\/114"}],"version-history":[{"count":0,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_2\/59574\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/media\/59575"}],"wp:attachment":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/media?parent=59574"}],"wp:term":[{"taxonomy":"keywords","embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/keywords?post=59574"},{"taxonomy":"teachers_list_2","embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/teachers_list_2?post=59574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}