{"id":59221,"date":"2026-07-22T17:34:05","date_gmt":"2026-07-22T15:34:05","guid":{"rendered":"https:\/\/diploma.ecolecamondo.fr\/sujet-libre\/adele-dusseau\/vanitas\/"},"modified":"2026-07-22T17:34:05","modified_gmt":"2026-07-22T15:34:05","slug":"vanitas","status":"publish","type":"project_type_2","link":"https:\/\/diploma.ecolecamondo.fr\/en\/sujet-libre\/adele-dusseau\/vanitas\/","title":{"rendered":"Vanitas"},"content":{"rendered":"\n

The artist\u2019s dressing room is an invisible space charged with imagination. It is inherently paradoxical: collective by necessity, yet intimate by nature. It is a place to apply make-up, change clothes, and prepare mentally, always in the presence of others, within a shared and often improvised environment.

The dressing room is defined not so much by its architecture as by the objects and gestures of those who temporarily inhabit it.

Vanitas is a three-panel folding screen that divides space without building walls, creating intimacy within a collective setting. Its composition draws inspiration from the tradition of vanitas, reinterpreting five symbolic objects to meet the needs of the dressing room: a mirror, a candle, flowers, adornments, and a feather.<\/p><\/div><\/div><\/article>\n\n

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\u00ab Il est dangereux d’admettre le public dans les coulisses. Il perd facilement ses illusions, puis il vous en tient grief, car c’est l’illusion qu’il aime et qu’il cherche. \u00bb<\/em><\/p>

William Somerset Maugham<\/span><\/p><\/div><\/div><\/div><\/article>\n

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David Bowie dans sa loge, 1973. \/ <\/em>Fran\u00e7oise Hardy dans sa loge, 1965. \/ <\/em>Liza Minnelli dans sa loge, 1974.<\/em>\n<\/figcaption>\n <\/article>\n\n\n\n

INTERVIEWS <\/em><\/p><\/div><\/div><\/article>\n\n

Pour nourrir mes recherches sur la loge d\u2019artiste, j\u2019ai rencontr\u00e9 trois com\u00e9diens et com\u00e9dienne Babette Masson com\u00e9dienne de th\u00e9\u00e2tre, Harry Holtzman com\u00e9dien de th\u00e9\u00e2tre et clown et enfin Audrey Bonnet com\u00e9dienne et actrice de cin\u00e9ma. Lors de nos entretiens, ils m\u2019ont chacun racont\u00e9 des anecdotes sur les loges.<\/p><\/div><\/div><\/article>\n

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3 LIEUX \/ 3 LOGES \/ 3 ARCHETYPES <\/em><\/p><\/div><\/div><\/article>\n\n

Je propose d’investir trois lieux, qui incarnent chacun une facette du spectacle vivant : la loge urbaine, la loge de cirque, et la loge improvis\u00e9e. Ces lieux ne sont pas des sites d’implantation, mais plut\u00f4t des arch\u00e9types repr\u00e9sentant trois typologies de loge diff\u00e9rente. Trois lieux comme les trois volets d’un paravent.<\/p><\/div><\/div><\/article>\n

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Le lavoir Moderne Parisien, 75018, Paris \/ Le Cirque \u00e9lectrique, 75020, Paris \/ Le Th\u00e9\u00e2tre Notre Dame, 84000, Avignon.\n<\/figcaption>\n <\/article>\n\n\n\n

VANITES <\/em><\/p><\/div><\/div><\/article>\n\n

Les vanit\u00e9s, tout comme la loge, sont avant tout des compositions d\u2019objets. La loge ne ressemble pas \u00e0 une vanit\u00e9 : elle en contient tout le vocabulaire. Le miroir o\u00f9 l’on se regarde, la bougie qui \u00e9claire et mesure le temps qui reste avant d’entrer en sc\u00e8ne, les fleurs qu’on offre et qui fanent les soirs de premi\u00e8re. <\/p><\/div><\/div><\/article>\n

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TYPOLOGIES D’OBJETS<\/p><\/div><\/div><\/article>\n\n

\u00c0 partir de cette r\u00e9flexion, j\u2019ai s\u00e9lectionn\u00e9 cinq objets embl\u00e9matiques des vanit\u00e9s pour construire mon projet. Chacun de ces objets a \u00e9t\u00e9 r\u00e9interpr\u00e9t\u00e9 pour r\u00e9pondre aux besoins concrets d\u2019une loge d\u2019artiste. Ensemble, ils compose mon Vanitas : un paravent en triptyque.<\/p><\/div><\/div><\/article>\n

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