{"id":62035,"date":"2026-07-20T00:44:09","date_gmt":"2026-07-19T22:44:09","guid":{"rendered":"https:\/\/diploma.ecolecamondo.fr\/sujet-commun\/cosme-colboc\/faire-patrimoine\/"},"modified":"2026-07-20T00:44:09","modified_gmt":"2026-07-19T22:44:09","slug":"building-heritage","status":"publish","type":"project_type_1","link":"https:\/\/diploma.ecolecamondo.fr\/en\/sujet-commun\/cosme-colboc\/building-heritage\/","title":{"rendered":"BUILDING HERITAGE"},"content":{"rendered":"\n

Set up in public institutions (museums, schools, hospitals, city halls, etc.), these heritage workshops offer everyone a custom-made showcase for our everyday objects\u2014treasured for their memories but devoid of material value. Much like a museum display case, placing our object in this case is a way of bestowing upon it a sense of heritage. Made of a carved plaster shell and a cut-out foam interior, the case perfectly cradles this memento.<\/p><\/div><\/div><\/article>\n\n

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Face \u00e0 une logique patrimoniale appartenant aux institutions publiques, historiens, archivistes et conservateurs, pourrions-nous aussi, faire patrimoine ?<\/em>\n \n<\/figcaption>\n <\/article>\n\n\n
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Tous ces vestiges, cette arch\u00e9ologie personnelle et intime existent. Aussi na\u00eff, sensible ou po\u00e9tique soient-ils, comment en faire nos objets patrimoniaux ?\u00a0\nCe sont les \u00ab ateliers du patrimoine \u00bb, qui fabriquent des \u00e9crins sur mesure et unique scell\u00e9 par une m\u00e9daille.\nD\u00e9ploy\u00e9s dans des \u00e9tablissements publics – mus\u00e9es, h\u00f4pitaux, mairies, \u00e9coles – nous d\u00e9posons notre objet dans ces ateliers \u00e9ph\u00e9m\u00e8res et une \u00e9quipe d\u00e9di\u00e9e s\u2019occupe de sa conservation.\u00a0\n<\/figcaption>\n <\/article>\n\n\n
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\u00ab Tout n\u2019est pas patrimoine, mais tout peut le devenir \u00bb
Michel Melot, Qu’est ce qu’un objet patrimonial ?<\/p><\/div><\/div><\/article>\n

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Telle une vitrine de mus\u00e9e, placer notre objet dans cet \u00e9crin c’est lui assumer, lui donner un caract\u00e8re patrimonial. <\/p><\/div><\/div><\/article>\n

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Les \u00e9crins renferment respectivement : un parfum de naissance, les outils d’atelier d’un d\u00e9funt grand p\u00e8re et les clefs d’une vieille maison familiale.\n<\/figcaption>\n <\/article>\n\n\n
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Les coques sont en pl\u00e2tre moul\u00e9 et l’int\u00e9rieur en mousse d\u00e9coup\u00e9e sur mesure, \u00e9pousant ainsi la forme de l’objet. Le pl\u00e2tre se patine, se colore et peut se fissurer avec le temps, portant les traces des manipulations. Mat\u00e9riau souple, la mousse \u00e9voque la conservation r\u00e9serv\u00e9e \u00e0 l’emballage d’\u0153uvres d’art.<\/p><\/div><\/div><\/article>\n

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La m\u00e9daille, tel un sceau de cire, vient lier et fermer l’\u00e9crin.\n \n<\/figcaption>\n <\/article>\n\n\n
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Andr\u00e9 Malraux soulignait que le patrimoine peut s\u2019\u00e9tendre dans des domaines encore non revendiqu\u00e9s. Et que chaque p\u00e9riode \u00ab voyait \u00bb des objets que d\u2019autres ne \u00ab voient \u00bb pas.<\/p><\/div><\/div><\/article>\n

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Avec un un m\u00e9canisme d’ouverture par pression et traction, la pi\u00e8ce se d\u00e9lie et r\u00e9v\u00e8le le contenu progressivement. Elle permet de ne pas tout montrer, de ne pas tout dire.\n<\/figcaption>\n <\/article>\n<\/div>\n","protected":false},"author":68,"featured_media":62036,"template":"","meta":{"_acf_changed":false,"footnotes":"","_metafield_presentation":"Set up in public institutions (museums, schools, hospitals, city halls, etc.), these heritage workshops offer everyone a custom-made showcase for our everyday objects\u2014treasured for their memories but devoid of material value. Much like a museum display case, placing our object in this case is a way of bestowing upon it a sense of heritage. Made of a carved plaster shell and a cut-out foam interior, the case perfectly cradles this memento.","_metafield_image_toggle":true,"_metafield_image_legend":"Les trois \u00e9crins.","_metafield_gallery":[48125,48715,48713,48135],"_metafield_students":[999]},"teachers_list_2":[71],"class_list":["post-62035","project_type_1","type-project_type_1","status-publish","has-post-thumbnail","hentry","teachers_list_2-evangelos-vasileiou"],"acf":[],"_links":{"self":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_1\/62035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_1"}],"about":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/types\/project_type_1"}],"author":[{"embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/users\/68"}],"version-history":[{"count":0,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_1\/62035\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/media\/62036"}],"wp:attachment":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/media?parent=62035"}],"wp:term":[{"taxonomy":"teachers_list_2","embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/teachers_list_2?post=62035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}