{"id":61414,"date":"2026-07-19T23:47:46","date_gmt":"2026-07-19T21:47:46","guid":{"rendered":"https:\/\/diploma.ecolecamondo.fr\/sujet-commun\/adeline-doche\/anamesis-faire-emerger-un-phenomene-des-abysses\/"},"modified":"2026-07-19T23:47:46","modified_gmt":"2026-07-19T21:47:46","slug":"anamnesis","status":"publish","type":"project_type_1","link":"https:\/\/diploma.ecolecamondo.fr\/en\/sujet-commun\/adeline-doche\/anamnesis\/","title":{"rendered":"Anamn\u00easis"},"content":{"rendered":"\n

Anamn\u00easis explores the fear of disappearance and oblivion, which is deeply rooted in human nature and drives the need for preservation. Heritage thus emerges as a balance between memory and oblivion, where selection amounts to deciding what is worthy of being passed down.

The project is based on a creative process centered on the crystallization of salt. This material embodies this paradox: it preserves as it crystallizes, yet it also disappears as it dissolves in water. This process also allows for the solidification of flexible meshes and the freezing of water\u2019s movements, thereby creating a tangible volume.

A narrative has thus emerged around the shipwrecks\u2014a heritage site recognized by UNESCO and destined to disappear. *Anamn\u00easis* preserves the last traces of these shipwrecks.<\/p><\/div><\/div><\/article>\n\n

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\u00ab La m\u00e9moire elle-m\u00eame a besoin de l’oubli. \u00bb<\/p>

Marc Aug\u00e9<\/span> – <\/span>Les Formes de l’oubli<\/span><\/p><\/div><\/div><\/div><\/article>\n\n

\u00c0 l’image du patrimoine<\/em> qui oscille entre conservation<\/em> et disparition<\/em>.
le sel<\/em> se cristallise<\/em> puis se dissout <\/em>dans l’eau.
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Diff\u00e9rents exp\u00e9rimentations, sur fils, racines, mailles, cartons \u2026\n<\/figcaption>\n <\/article>\n\n\n
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Carnet relatant nos exp\u00e9rimentations produites au long de l’ann\u00e9e <\/p><\/div><\/div><\/article>\n

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CAPTURER UN MOUVEMENT<\/p><\/div><\/div><\/article>\n

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SCENOGRAPHIE <\/p><\/div><\/div><\/article>\n\n

Cette sc\u00e8ne fig\u00e9e montre un appartement en bord de M\u00e9diterran\u00e9e apr\u00e8s une temp\u00eate. Le calme est de retour mais des vestiges des abysses ont refait surface \u00e0 travers un luminaire, des vases et des parois inspir\u00e9es des voiles de bateaux o\u00f9 le sel est venu figer le mouvement de la maille souple. <\/p><\/div><\/div><\/article>\n\n

Tandis que les parois, au contact de l’eau encore pr\u00e9sente au sol, se d\u00e9sint\u00e8grent progressivement jusqu’\u00e0 dispara\u00eetre, les \u00e9l\u00e9ments suspendus, tels que les luminaires ou les vases, demeurent cristallis\u00e9s. Cette opposition met en sc\u00e8ne la dualit\u00e9 entre ce qui est pr\u00e9serv\u00e9 et ce qui est inexorablement vou\u00e9 \u00e0 l’oubli.<\/p><\/div><\/div><\/article>\n

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LUMINAIRE LOTH<\/em><\/p><\/div><\/div><\/article>\n\n

Le luminaire Loth<\/em> \u00e0 poser s\u2019inspire du mythe de la femme de Loth. Transform\u00e9e en statue de sel sur les rives de la mer morte apr\u00e8s s\u2019\u00eatre retourn\u00e9e vers Sodome, elle symbolise la difficult\u00e9 de se d\u00e9tacher du pass\u00e9. Ce r\u00e9cit fait \u00e9cho \u00e0 cet \u00e9quilibre, o\u00f9 l\u2019oubli est n\u00e9cessaire pour avancer. <\/p><\/div><\/div><\/article>\n

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Coupe descriptive du processus de fabrication et coupe du syst\u00e8me d\u2019allumage \u00e9lectrique\n<\/figcaption>\n <\/article>\n\n\n
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Photo du stand<\/em> – Solenn DULUC & Adeline DOCHE\n<\/figcaption>\n <\/article>\n<\/div>\n","protected":false},"author":126,"featured_media":61458,"template":"","meta":{"_acf_changed":false,"footnotes":"","_metafield_presentation":"Anamn\u00easis explores the fear of disappearance and oblivion, which is deeply rooted in human nature and drives the need for preservation. Heritage thus emerges as a balance between memory and oblivion, where selection amounts to deciding what is worthy of being passed down.

The project is based on a creative process centered on the crystallization of salt. This material embodies this paradox: it preserves as it crystallizes, yet it also disappears as it dissolves in water. This process also allows for the solidification of flexible meshes and the freezing of water\u2019s movements, thereby creating a tangible volume.

A narrative has thus emerged around the shipwrecks\u2014a heritage site recognized by UNESCO and destined to disappear. *Anamn\u00easis* preserves the last traces of these shipwrecks.","_metafield_image_toggle":false,"_metafield_image_legend":"","_metafield_gallery":[54524,54472,54492,54450],"_metafield_students":[98]},"teachers_list_2":[80],"class_list":["post-61414","project_type_1","type-project_type_1","status-publish","has-post-thumbnail","hentry","teachers_list_2-vincent-tordjman"],"acf":[],"_links":{"self":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_1\/61414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_1"}],"about":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/types\/project_type_1"}],"author":[{"embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/users\/126"}],"version-history":[{"count":0,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/project_type_1\/61414\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/media\/61458"}],"wp:attachment":[{"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/media?parent=61414"}],"wp:term":[{"taxonomy":"teachers_list_2","embeddable":true,"href":"https:\/\/diploma.ecolecamondo.fr\/en\/wp-json\/wp\/v2\/teachers_list_2?post=61414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}