In the history of definitions of art, there is a break during the 18th century. Philosophers became interested in art criticism, believing novelty and the unknown to be the source of pleasure for the soul. What could possibly comply with these 18th century philosophical notions and their concrete application: Orientalism perhaps?
Especially in our modern world, which seems to leave no room for the unknown, product of the supreme omniscience of the internet and social networks.
A speculative approach exploring a potential relationship between Orientalism and social networks.
