The summer holidays make us think time has stopped. The cinema decided to use this suspension to capture the essence of summer.
This dissertation reveals how filmmakers transform our holidays into sensory experiences on the big screen, depicting our memories of youth. In these moving frescoes, they create atmospheres of a summer of sensations.
An approach that implicitly combines two modes of expression that are fundamentally linked: cinematic art and interior architecture. This artistic and technical parallel embodies the beauty of these professions, each bringing the intangible to life in its own way.
